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Laughter Challenge Champions Good Quality
By brararsh

RUNBHOOMI 2007
UCoE,
Punjabi University Patiala !


Tags: balle, challenge, comedy, enjoy, fun, funny, jatt, laughter, patiala, punjabi, ranbhooni, runbhoomi, skit, ucoe, university
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College - Mera Pind (Harbhajan Mann)
By gumnaam000

Movie:- Mera Pind-My Home.
Singer:- Harbhajan Mann.
Song- College.
awesome and ultimate punjabi song.


Tags: 2008, brruuaaa, college, harbhajan, janjua, labh, mann, mera, movie, navjot, patiala, pind, punjabi, sarda..., sidhu, singh, song, swesome, ultimate, university
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Ustad Munawar Ali Khan, Raag Yaman, drut, teentaal
By kishoriray

Ustad Munawar Ali Khan (Devanagari: मुनावर अली ख़ान) (1930 - 1989) was a Hindustani classical singer of the Patiala Gharana.
LYRICS and english translation of this bandish: +++
Aal-e-Nabi Aulad-e-Ali par ware ware jawoon,
Du jag mein rakhiyon laaj mori,
Zahra ke dilbundar Hasan Hussain pe ware ware jawwon.

Aal: descendant(s)
Nabi: Literally Prophet, here it refers to Prophet Mohammed.
aulad: decendant(s)
Ali: Caliph Ali, Prophet Mohammand's first-cousin and son-in-law.
par ware jawwon: be sacrificed on
Du: Two
Jag: Short for jagat, which means "world".
mein: in
rakhiyon: keep, maintain.
laaj: honour
mori: mine
Zahra: The lady Fatima, Prophet Mohammed's beloved daughter and Caliph Ali's wife.
dilbandar: beloved
Hasan: Caliph Ali and lady Fatima's first son
Hussain: Caliph Ali and lady Fatima's second son.
He was the younger son of the doyen of the Kasur Patiala gharana, Bade Ghulam Ali Khan. Musical guidance for the young master came at the feet of his father.+++


Tags: ali, classical, gharana, indian, kasur, khan, munawar, music, patiala, raag, ustad, vocal, world, yaman
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Ustad Munawar Ali Khan - Meera Bhajan 'paga ghungaroo'
By kishoriray

This Meera Bhajan, paga ghungaroo bhanda meera nachi re, is sung in Raag Kafi by Ustad Munawar Ali Khansaheb, the son of Ustad Bade Ghulam Ali Khansaheb.


Tags: ali, classcial, gharana, hindustani, india, indian, kasur, khan, khansaheb, munawar, patiala, ustad, vocal
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ustad fateh ali khan raag jonpori on atv post by zagham
By zagham99

ustad fateh ali khan live on atv morning show .
Bade Fateh Ali Khan (born: 1935) is amongst the foremost Khayal vocalists alive today in Pakistan, and the last significant exponent of the Patiala Gharana (stylistic lineage). He is the younger of the singing duo "Amanat Ali-Fateh Ali", who enjoyed immense prestige and success in Pakistan as well as India, until the demise of Amanat Ali Khan (1932-1974).

Amanat Ali-Fateh Ali became celebrities while still in their childhood in undivided India, and achieved their highest official recognition in 1969, when the President of Pakistan conferred on them the Pride of Performance Medal. The "Bade" (elder) prefix got attached to Fateh Ali's name after younger Pakistani musicians with similar names started making waves with an entirely different genre of music.

Fateh Ali and his late brother were trained by their father, Akhtar Hussain, a distinguished vocalist in the patronage of the princely state of Patiala in colonial, undivided India. Their grandfather, Ali Baksh, also served the same court, and was a cofounder of the Patiala gharana. The prodigious talent of Amanat Ali- Fateh Ali received early encouragement at the Patiala court. They had a glorious debut in 1945 at Lahore, sponsored by the influential connoisseur, Pandit Jeevanlal Mattoo Their breakthrough came at the All-Bengal Music Conference in Calcutta in 1949, when Amanat Ali was 17, and Fateh Ali was 14, after which they never looked back. Life changed dramatically for the budding stars when India was partitioned in 1947, and the family opted to migrate to Pakistan.

Overcoming destitution in their new home, the duo swung back, while still in their teens, to earn their rightful place amongst the foremost vocalists of the subcontinent. Fateh Ali was dealt a devastating blow with the demise of his brother Amanat Ali in 1974. Fateh Ali is reported to have suffered a deep depression for over a year and a half, following which he joined Radio Pakistan as a supervisor.

The two brothers as a duo had neatly dividing their singing by specialisation. Amanat Ali Khan had a gifted voice and he embellished his singing in broad sweeps by lagao, and blossoming out in the upper register while Fateh Ali engaged in intricacies of the countless behlawas and complex taans, in a much lower and gravelly voice, respectively drawing inspiration from two elders of their gharana, Ustad Bade Ghulam Ali Khan and Ustad Ashiq Ali Khan.

Fateh Ali was urged to restart his performing career, but would break into tears when first beginning to sing. Fateh Ali Khan eventually overcame this emtional block, and started singing as a duo with his younger brother Hamid Ali Khan, as well his nephews, Asad Amanat Ali Khan(1952-2007) or Amjad Amanat Ali Khan who are both sons of his late brother Amanat Ali Khan. The absence of Amanat Ali made Fateh Ali redevelop and re-align his singing style. He had to fill the void left by Amanat Ali in the middle of his career, which in any case is not an easy thing to do. The void was only partly filled by Hamid, Amjad Amanat and Asad Amanat Ali Khan, as these three have occupied a relatively junior role in comparison with the almost equal footing that Amanat Ali and Fateh Ali fulfilled as a duo.

Though trained also in the mediaeval Dhrupad genre, the uncle-nephew duo restricts its repertoire to the modern mainstream genre, Khayal, and the romanticist genres, Thumris, Dadra, and Ghazal. The pair has, since their alliance, performed widely in Europe, North America, the Middle East, and South Asia, and released several recordings. One highly unusual CD released in 1995 is entitled "Ragas and Sagas", which is a collaboration with Norwegian Saxaphonist Jan Garbarek. Fateh Ali has performed all over the world and has many students internationally. One of his favorite students was Deeyah from Norway. She is origanly half Afghan and half Pakistani. She was born in Norway. And now she is in USA.

In the latter half of the 20th century, the Patiala style of Khayal vocalism has been represented by two streams of the gharana. One stream, gave the music world the Amanat Ali and Fateh Ali duo. The other stream, through its training of Kasur gharana vocalists, produced Bade Ghulam Ali Khan (1903-1968), his brother Barkat Ali Khan (1907-1963), and the former's son, Munawar Ali Khan (1933-1989). With the stylistic distinctiveness and continuity of Khayal gharanas having fallen prey to socio-cultural changes on both sides of the India-Pakistan border, Fateh Ali Khan is the last of the thoroughbred Patiala vocalists.


Tags: ali, classical, fateh, gharana, india, indian, khan, khayal, medal, music, of, pakistan, patiala, performance, pride, qawwali, ustad, vocalists
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Ustad Bade Ghulam Ali Khan - Excerpt of Raag Basant
By kishoriray

The legend Ustad Bade Ghulam Ali Khan singing Raag Basant, rec. 1966

Ustad Bade Ghulam Ali Khan can be described as an artiste who has had the maximum impact on the 20th Century Hindustani Classical Music scenario. Born in 1902 into a great musical lineage from Kasur in the Western Punjab, this great savant amalgamated the best of four traditions; his own Patiala - Kasur style, sculpturesque Behram Khani elements of Dhrupad, the intricate gyrations of Jaipur and finally the robust behlavas (embellishments) of Gwaiior. But what actually characterised Bade Ghulam Ali Khan was an effervescent melodic quality which was concertised in a masterly flow of ideas which were delivered with a unique sense of alacrity, aided by one of the most pliable and dextrous voices ever heard in living memory in this land.

Bade Ghulam Ali Khan had a relatively short career span. He blazed the trails of Calcutta in 1938 and in the 1944 All India Music Conference in Bombay, was virtually anointed Lord of all he surveyed in the field of Indian Music. But 24 years later, he was dead, prematurely at 66, having given the World less of himself than it would have wished to have. The maestro's approach to khyal was essentially traditional - as seen in the medium pace of his vilambit Khayal presentation and his style of straightforward sthaibharana avoiding permutations. The character of his Gayaki was derived from an inclination towards looking beyond the traditional method of intoning a Swara to discover unchartered facets of beauteous melody, often achieved by very subtle inflexions of notes. This approach was bom of a mind which always strove to find that beauty in Indian Music which went beyond the Raga itself. For Bade Ghulam Ali Khan, 'Taleem' was but a means to a greater end where sheer melody and freedom of movement became unified His music was the joyous expression of an unfettered musical psyche.

In 'Thumri', Bade Gliulam Ali Khan looked beyond the tradition of bol-banav where verbal and musical expressions are unified. He saw in Thumri an avenue for playing with notes with even greater abandon than was possible in the raga-restrained Khayal. From this perspective was born the now well-established Punjab-ang of Thumri.


Tags: ali, bade, basant, classical, ghulam, indian, kasur, khan, music, patiala, raag, ustad
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PUNJAB LIVE BY BABBU MAAN
By sandhu4web

PUNJAB LIVE FROM KAPURTHALA BY BABBU MAAN THE BEST PERFORMER


Tags: babbu, creations, jatt, kapurthala, live, maan, mann, patiala, punjab, punjabi, rnbj, sandhu, sandhu4web, show
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Aman Sarao - Stunting Souls
By stuntaholics

Aman Sarao - Stunting Souls from Patiala. A Small video of PRactice session. Kindly DO NOT COmment on editing. Music just for the sake of removing the voices of the camera man.


Tags: aman sarao, karizma r, patiala, stunt, stunting souls, team stuntingsouls, wheelie on karizma
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