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張敬軒 Hins Cheung - Ardently Love 酷愛 (Live)
By euronewsfr

張敬軒 酷愛
Hins Cheung Ardently Love

(雪中送暖)


Tags: canton, composer, hong, kong, r&b, singer, 實力派, 廣州, 廣東, 唱作人, 無線翡翠台, 香港
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Pachelbel Canon
By SportsFr

Pachelbel Canon, Notation Composer示範。Notation Composer/Musician可以把你在互聯網搜尋到的midi檔案,顯示為樂 譜,讓你不但可以透過電腦欣賞喜愛的美妙音樂,更可以在螢光幕上看到有關樂譜,像卡拉 OK的一起演奏,你更可以把看到的樂譜列印出來練習,和朋友一起合奏呢!要下載 Notation Composer/Notation Musician 來試一試,可到:
http://notation.hkrmec.com


Tags: canon, composer, notation, pachelbel, software
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THE WONDER OF CHRISTMAS ( New 2008 christmas Instrumental )
By 13emerue

Powerful Christmas instrumental featuring a full orchestra


Tags: 2008, arrangement, arranger, childrens, christmas, clark, composer, dorset, film, holiday, instrumental, kids, kim, kimsounds, music, new, original, powerful, production, santa, slow, smoothtrax, snow, song, songs, tune, tunes, ways, xmas
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Blood Sweat & Tears, Gary Foote. Bass solo Deluxe
By boisson31

Blood Sweat & Tears: Gary Foote. Bass solo Delux. Chris Tedesco, TPT1. Steve Jankowski, TPT 2. Tom Timko, Sax and Musical Director. Glen McClelland, Organ, Dave Gellis, Guitar. Gary Foote, Bass. Andrea Valentini, Drums


Tags: band, bass, big, cd, composer, conductor, foote, gary, jazz, jens, music, sheet, trombone, wendelboe
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Super Mario Bros. Theme for Trumpet & Clarinet
By SportsFr

Hello, I've made this arrangement because I like the theme and I couldn't find a good duet. This duet is for Bb instruments, in this video I'll show you the Trumpet and the Clarinet (I play the Cornet, which is also in Bb). As you can see I used Finale NotePad 2008. Have fun!

---------------------------------------- ----------------------------------------

Hallo, ik heb dit arrangement gemaakt omdat ik het een leuk deuntje vind en ik nergens een goed duet kon vinden. Deze is voor Bb instrumenten, in dit filmpje laat ik jullie de Trompet en de Clarinet zien (Ik speel zelf Cornet, die is ook in Bb). Zoals je kunt zien heb ik Finale NotePad 2008 gebruikt. Veel kijk plezier!


Words: Finale NotePad 2008, NoteWorthy Composer, Arrangement, Arranger, Super Mario Bros. Theme, Trumpet, Clarinet, Cornet, Bb, Laurens, Midi, Duet, Instruments, Mario, Luigi, Theme, Cool, Lol, Rofl.


Tags: 2008, arrangement, bb, bros., clarinet, composer, cornet, duet, finale, mario, midi, notepad, noteworthy, super, theme, trumpet
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Mario Paint - Europe - The Final Countdown (intro)
By willdude2010

My first song made in mario paint
The Final Countdown by Europe


Tags: composer, countdown, europe, final, mario, paint, the
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CES 2008 SpeechGear Language Translation Software
By interieurs

SpeechGear is a company that is very innovative for their language translation software. They are the experts in translating nearly anything and use military technology to translate the spoken word. Having talked to them in 2007 they have came a long way with their products.

I thought translating text was hard these folks take it to a whole new level. This is a series of software products that run on windows mobile operating systems or a standard windows machine. A cool new product they have introduced is called Compadre which is a series of five modules.

Compadre Interact™ is the ultimate in bi-directional interactive language translation: you speak to the system, it repeats what you said in a different language. Compadre:Interpreter™ is the next generation of PDA translator, Compadre:Document™ provides quick and accurate translations of Microsoft Office files such as PowerPoint presentations and Word documents. Compadre:Camera™ translates anything you see. Any text that you can scan or take a picture of -- signs, menus, documents and more -- is translated in seconds. Compadre:Composer™ provides a common translation engine for the entire Compadre product line.

This company is delivering some very cool translation software. If you want more information on SpeechGear and info on future special offers please visit www.rawvoiceoffers.com and enter promo code "SpeechGear" or visit www.speechgear.com


Tags: 2008, andy, ces, compadre, composer, document, mccaskey, pda, podcast, scan, speechgear, techpodcasts.com, translation
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Love In Tokyo (Joy Mukherjee Asha Parekh & Pran)
By rajshri

Click http://www.rajshri.com/musi... to watch more movie songs


Tags: asha, composer, films, hasrat, in, jaikishan, jaipuri, joy, love, mukherjee, parekh, pramod, pran, shankar, tokyo
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Andrew York plays Letting Go
By musicaloo1

Incredible live version of Andrew playing Letting Go. Beautiful video.


Tags: andrew, classical, composer, fingerstyle, grammy, guitarist, winning, york
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First Light - Aaron Meyer Live
By AaronMeyer

Aaron Meyer is an award-winning pianist, composer, and recording artist. His versatile style fuses jazz, latin, classical, and world influences into a sound that is both energetic and inspirational. Aaron's unique sound has been described as "fresh, emotion-driven music that exemplifies a class all its own."

Aaron began composing at an early age, inspired by the KCET broadcast of Yanni Live at Acropolis. Just a few years later, it was Aaron's turn to be featured on PBS in a promotional spot entitled "Inspiration Is Priceless." The short segment featuring Aaron and his music was aired throughout 2002. Later that year, coming full circle, Aaron appeared on KCET with Yanni.

With four albums and countless performances under his belt, Aaron has established himself as one of the most promising up and coming artists in the contemporary music scene. In 2005, Aaron and his band performed a benefit concert for Spotlight the Arts entitled "Meyer @ The Mayer." This concert was filmed for CTV, and the special aired on cable for several months.

As a solo artist, Aaron has performed in numerous venues throughout California, including the Madrid Theatre, Louis B. Mayer Theater, and Stanford's Dinkelspiel Auditorium. He has also performed for such notable organizations as Barnes & Noble, The American Lung Association, Oneness and Spotlight the Arts. Over the years, Aaron has had the privilege of performing for a variety of distinguished personalities such as Wink Martindale, Wolfgang Puck, Tom Poston, Susan Sullivan, and Supreme Court Justice Ruth Bader Ginsburg.

Aaron's newest CD, After Hours, was released in June 2008. A fun-filled album performed by a talented ensemble of 25 musicians, this new release promises to be Aaron's most successful venture to date. From the piano and cello duet "Contemplation," to the funk-influenced "Celebration," and the latin-flavored "Fiesta," Aaron's newest music has broad appeal to people of all ages and cultures.

Aaron received his B.A. in Music Composition from Stanford University and resides in Los Angeles.

For more information, please visit http://www.AaronMeyerMusic.com


Tags: aaron, composer, concert, keyboardist, live, meyer, pianist
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Legend Composer Maestro Ilayaraja & Singer Shreya Goshal
By pankajkakkaar

Featuring Legend Tamil Film Music Composer Maestro Ilayaraja with Bollywood Singer Shreya Goshal in Andrum Indrum Endrum Concert at Madras- For the evergreen hit song Kaatril Enthan Geetham from 1980s, Tamil Movie-Johny, (This difficult song was originally sung by famous legend singer S.Janaki, extra-ordinarily & effortlessly for the then star actor sridevi boneykapoor paired with superstar rajinikant)


Tags: composer, goshal, ilayaraja, johny, music, shreya, song, tamil, video
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Heiner Goebbels. European Graduate School Lecture. 2007. 9/9
By egsvideo

http://www.egs.edu/ Heiner Goebbels, German composer and music director talking about composing for directors, theatres, operas, theatre plays, performances; discussing his life, stories, work, professional and artistic experiences as well as the concepts of sound, noise, acoustic space, Berthold Brecht, separation of elements, change of formats, Elias Canetti, Eraritjaritjaka. Public open lecture with students of the European Graduate School EGS, Media and Communication Studies department program, Saas-Fee, Switzerland, Europe, 2007. Heiner Goebbels.

Heiner Goebbels, born August 17 1952, studied Sociology and Music in Frankfurt/Main, is a composer notable for his mixture of styles, drawing from sources as varied as classical music, jazz, and rock music. He started playing Eislerian music in a duo with saxophonist Alfred Harth and composing music for theatre, film, and ballet, and has continued to do so, although he has since then broadened his repertoire to concerts and his oeuvre has recently come to include the opera Landschaft mit entfernten Verwandten (Landscape with Distant Relatives, 2002).

Goebbels co-founded the avant-garde rock group Cassiber (1982--1992) with Harth, Chris Cutler and Christoph Anders. They toured extensively across Europe, Asia and North America, and made five albums.

Much of his better known work, however, originated from his close collaboration with the East German writer Heiner Müller, resulting in stage compositions as well as shorter pieces (concerts as well as audio plays) loosely based on Müller texts, such as Verkommenes Ufer (Waste Shore, 1984), Die Befreiung des Prometheus (The Liberation of Prometheus, 1985), or Wolokolamsker Chaussee (Volokolamsk Highway, 1989). Goebbels' attempts to fill the space between theatre and opera left blank due to traditional genre borderline drawing has led to projects such as Schwarz auf Weiss (Black on White, 1996) or Die Wiederholung (The Repetition, 1997). The political nature of his work is often referred to by critics. His interest in Heiner Müller can partly be explained by the political character of Müller's texts, as may be the case with his interest in Bertolt Brecht and Hanns Eisler, works by the latter he used in composing his staged concert Eislermaterial (1998).

Goebbels' work is being increasingly acknowledged as he is being played and staged around the world and as his recordings are being published. His Surrogate Cities, a work for big orchestra dating from 1994 and featuring texts from Paul Auster, Heiner Müller, and Hugo Hamilton, was nominated for a Grammy in the category Best Classical Contemporary Composition at the 43rd Grammy Awards in 2001. His Eislermaterial won him another Grammy nomination at the 46th Grammy Awards in 2004, this time in the category Best Small Ensemble Performance (with or without conductor). In recent years Heiner Goebbels enjoyed the privilege of several guest professorships and nominations for composer-in-residence.


Tags: ballet, composer, composing, egs, european, film, german, goebbels, graduate, heiner, jazz, music, rock, school, theatre
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Heiner Goebbels. European Graduate School Lecture. 2007. 8/9
By egsvideo

http://www.egs.edu/ Heiner Goebbels, German composer and music director talking about composing for directors, theatres, operas, theatre plays, performances; discussing his life, stories, work, professional and artistic experiences as well as the concepts of sound, noise, acoustic space, Berthold Brecht, separation of elements, change of formats, Elias Canetti, Eraritjaritjaka. Public open lecture with students of the European Graduate School EGS, Media and Communication Studies department program, Saas-Fee, Switzerland, Europe, 2007. Heiner Goebbels.

Heiner Goebbels, born August 17 1952, studied Sociology and Music in Frankfurt/Main, is a composer notable for his mixture of styles, drawing from sources as varied as classical music, jazz, and rock music. He started playing Eislerian music in a duo with saxophonist Alfred Harth and composing music for theatre, film, and ballet, and has continued to do so, although he has since then broadened his repertoire to concerts and his oeuvre has recently come to include the opera Landschaft mit entfernten Verwandten (Landscape with Distant Relatives, 2002).

Goebbels co-founded the avant-garde rock group Cassiber (1982--1992) with Harth, Chris Cutler and Christoph Anders. They toured extensively across Europe, Asia and North America, and made five albums.

Much of his better known work, however, originated from his close collaboration with the East German writer Heiner Müller, resulting in stage compositions as well as shorter pieces (concerts as well as audio plays) loosely based on Müller texts, such as Verkommenes Ufer (Waste Shore, 1984), Die Befreiung des Prometheus (The Liberation of Prometheus, 1985), or Wolokolamsker Chaussee (Volokolamsk Highway, 1989). Goebbels' attempts to fill the space between theatre and opera left blank due to traditional genre borderline drawing has led to projects such as Schwarz auf Weiss (Black on White, 1996) or Die Wiederholung (The Repetition, 1997). The political nature of his work is often referred to by critics. His interest in Heiner Müller can partly be explained by the political character of Müller's texts, as may be the case with his interest in Bertolt Brecht and Hanns Eisler, works by the latter he used in composing his staged concert Eislermaterial (1998).

Goebbels' work is being increasingly acknowledged as he is being played and staged around the world and as his recordings are being published. His Surrogate Cities, a work for big orchestra dating from 1994 and featuring texts from Paul Auster, Heiner Müller, and Hugo Hamilton, was nominated for a Grammy in the category Best Classical Contemporary Composition at the 43rd Grammy Awards in 2001. His Eislermaterial won him another Grammy nomination at the 46th Grammy Awards in 2004, this time in the category Best Small Ensemble Performance (with or without conductor). In recent years Heiner Goebbels enjoyed the privilege of several guest professorships and nominations for composer-in-residence.


Tags: ballet, composer, composing, egs, european, film, german, goebbels, graduate, heiner, jazz, music, rock, school, theatre
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Heiner Goebbels. European Graduate School Lecture. 2007. 7/9
By egsvideo

http://www.egs.edu/ Heiner Goebbels, German composer and music director talking about composing for directors, theatres, operas, theatre plays, performances; discussing his life, stories, work, professional and artistic experiences as well as the concepts of sound, noise, acoustic space, Berthold Brecht, separation of elements, change of formats, Elias Canetti, Eraritjaritjaka. Public open lecture with students of the European Graduate School EGS, Media and Communication Studies department program, Saas-Fee, Switzerland, Europe, 2007. Heiner Goebbels.

Heiner Goebbels, born August 17 1952, studied Sociology and Music in Frankfurt/Main, is a composer notable for his mixture of styles, drawing from sources as varied as classical music, jazz, and rock music. He started playing Eislerian music in a duo with saxophonist Alfred Harth and composing music for theatre, film, and ballet, and has continued to do so, although he has since then broadened his repertoire to concerts and his oeuvre has recently come to include the opera Landschaft mit entfernten Verwandten (Landscape with Distant Relatives, 2002).

Goebbels co-founded the avant-garde rock group Cassiber (1982--1992) with Harth, Chris Cutler and Christoph Anders. They toured extensively across Europe, Asia and North America, and made five albums.

Much of his better known work, however, originated from his close collaboration with the East German writer Heiner Müller, resulting in stage compositions as well as shorter pieces (concerts as well as audio plays) loosely based on Müller texts, such as Verkommenes Ufer (Waste Shore, 1984), Die Befreiung des Prometheus (The Liberation of Prometheus, 1985), or Wolokolamsker Chaussee (Volokolamsk Highway, 1989). Goebbels' attempts to fill the space between theatre and opera left blank due to traditional genre borderline drawing has led to projects such as Schwarz auf Weiss (Black on White, 1996) or Die Wiederholung (The Repetition, 1997). The political nature of his work is often referred to by critics. His interest in Heiner Müller can partly be explained by the political character of Müller's texts, as may be the case with his interest in Bertolt Brecht and Hanns Eisler, works by the latter he used in composing his staged concert Eislermaterial (1998).

Goebbels' work is being increasingly acknowledged as he is being played and staged around the world and as his recordings are being published. His Surrogate Cities, a work for big orchestra dating from 1994 and featuring texts from Paul Auster, Heiner Müller, and Hugo Hamilton, was nominated for a Grammy in the category Best Classical Contemporary Composition at the 43rd Grammy Awards in 2001. His Eislermaterial won him another Grammy nomination at the 46th Grammy Awards in 2004, this time in the category Best Small Ensemble Performance (with or without conductor). In recent years Heiner Goebbels enjoyed the privilege of several guest professorships and nominations for composer-in-residence.


Tags: ballet, composer, composing, egs, european, film, german, goebbels, graduate, heiner, jazz, music, rock, school, theatre
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Heiner Goebbels. European Graduate School Lecture. 2007. 6/9
By egsvideo

http://www.egs.edu/ Heiner Goebbels, German composer and music director talking about composing for directors, theatres, operas, theatre plays, performances; discussing his life, stories, work, professional and artistic experiences as well as the concepts of sound, noise, acoustic space, Berthold Brecht, separation of elements, change of formats, Elias Canetti, Eraritjaritjaka. Public open lecture with students of the European Graduate School EGS, Media and Communication Studies department program, Saas-Fee, Switzerland, Europe, 2007. Heiner Goebbels.

Heiner Goebbels, born August 17 1952, studied Sociology and Music in Frankfurt/Main, is a composer notable for his mixture of styles, drawing from sources as varied as classical music, jazz, and rock music. He started playing Eislerian music in a duo with saxophonist Alfred Harth and composing music for theatre, film, and ballet, and has continued to do so, although he has since then broadened his repertoire to concerts and his oeuvre has recently come to include the opera Landschaft mit entfernten Verwandten (Landscape with Distant Relatives, 2002).

Goebbels co-founded the avant-garde rock group Cassiber (1982--1992) with Harth, Chris Cutler and Christoph Anders. They toured extensively across Europe, Asia and North America, and made five albums.

Much of his better known work, however, originated from his close collaboration with the East German writer Heiner Müller, resulting in stage compositions as well as shorter pieces (concerts as well as audio plays) loosely based on Müller texts, such as Verkommenes Ufer (Waste Shore, 1984), Die Befreiung des Prometheus (The Liberation of Prometheus, 1985), or Wolokolamsker Chaussee (Volokolamsk Highway, 1989). Goebbels' attempts to fill the space between theatre and opera left blank due to traditional genre borderline drawing has led to projects such as Schwarz auf Weiss (Black on White, 1996) or Die Wiederholung (The Repetition, 1997). The political nature of his work is often referred to by critics. His interest in Heiner Müller can partly be explained by the political character of Müller's texts, as may be the case with his interest in Bertolt Brecht and Hanns Eisler, works by the latter he used in composing his staged concert Eislermaterial (1998).

Goebbels' work is being increasingly acknowledged as he is being played and staged around the world and as his recordings are being published. His Surrogate Cities, a work for big orchestra dating from 1994 and featuring texts from Paul Auster, Heiner Müller, and Hugo Hamilton, was nominated for a Grammy in the category Best Classical Contemporary Composition at the 43rd Grammy Awards in 2001. His Eislermaterial won him another Grammy nomination at the 46th Grammy Awards in 2004, this time in the category Best Small Ensemble Performance (with or without conductor). In recent years Heiner Goebbels enjoyed the privilege of several guest professorships and nominations for composer-in-residence.


Tags: ballet, composer, composing, egs, european, film, german, goebbels, graduate, heiner, jazz, music, rock, school, theatre
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Heiner Goebbels. European Graduate School Lecture. 2007. 4/9
By egsvideo

http://www.egs.edu/ Heiner Goebbels, German composer and music director talking about composing for directors, theatres, operas, theatre plays, performances; discussing his life, stories, work, professional and artistic experiences as well as the concepts of sound, noise, acoustic space, Berthold Brecht, separation of elements, change of formats, Elias Canetti, Eraritjaritjaka. Public open lecture with students of the European Graduate School EGS, Media and Communication Studies department program, Saas-Fee, Switzerland, Europe, 2007. Heiner Goebbels.

Heiner Goebbels, born August 17 1952, studied Sociology and Music in Frankfurt/Main, is a composer notable for his mixture of styles, drawing from sources as varied as classical music, jazz, and rock music. He started playing Eislerian music in a duo with saxophonist Alfred Harth and composing music for theatre, film, and ballet, and has continued to do so, although he has since then broadened his repertoire to concerts and his oeuvre has recently come to include the opera Landschaft mit entfernten Verwandten (Landscape with Distant Relatives, 2002).

Goebbels co-founded the avant-garde rock group Cassiber (1982--1992) with Harth, Chris Cutler and Christoph Anders. They toured extensively across Europe, Asia and North America, and made five albums.

Much of his better known work, however, originated from his close collaboration with the East German writer Heiner Müller, resulting in stage compositions as well as shorter pieces (concerts as well as audio plays) loosely based on Müller texts, such as Verkommenes Ufer (Waste Shore, 1984), Die Befreiung des Prometheus (The Liberation of Prometheus, 1985), or Wolokolamsker Chaussee (Volokolamsk Highway, 1989). Goebbels' attempts to fill the space between theatre and opera left blank due to traditional genre borderline drawing has led to projects such as Schwarz auf Weiss (Black on White, 1996) or Die Wiederholung (The Repetition, 1997). The political nature of his work is often referred to by critics. His interest in Heiner Müller can partly be explained by the political character of Müller's texts, as may be the case with his interest in Bertolt Brecht and Hanns Eisler, works by the latter he used in composing his staged concert Eislermaterial (1998).

Goebbels' work is being increasingly acknowledged as he is being played and staged around the world and as his recordings are being published. His Surrogate Cities, a work for big orchestra dating from 1994 and featuring texts from Paul Auster, Heiner Müller, and Hugo Hamilton, was nominated for a Grammy in the category Best Classical Contemporary Composition at the 43rd Grammy Awards in 2001. His Eislermaterial won him another Grammy nomination at the 46th Grammy Awards in 2004, this time in the category Best Small Ensemble Performance (with or without conductor). In recent years Heiner Goebbels enjoyed the privilege of several guest professorships and nominations for composer-in-residence.


Tags: ballet, composer, composing, egs, european, film, german, goebbels, graduate, heiner, jazz, music, rock, school, theatre
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Heiner Goebbels. European Graduate School Lecture. 2007. 3/9
By egsvideo

http://www.egs.edu/ Heiner Goebbels, German composer and music director talking about composing for directors, theatres, operas, theatre plays, performances; discussing his life, stories, work, professional and artistic experiences as well as the concepts of sound, noise, acoustic space, Berthold Brecht, separation of elements, change of formats, Elias Canetti, Eraritjaritjaka. Public open lecture with students of the European Graduate School EGS, Media and Communication Studies department program, Saas-Fee, Switzerland, Europe, 2007. Heiner Goebbels.

Heiner Goebbels, born August 17 1952, studied Sociology and Music in Frankfurt/Main, is a composer notable for his mixture of styles, drawing from sources as varied as classical music, jazz, and rock music. He started playing Eislerian music in a duo with saxophonist Alfred Harth and composing music for theatre, film, and ballet, and has continued to do so, although he has since then broadened his repertoire to concerts and his oeuvre has recently come to include the opera Landschaft mit entfernten Verwandten (Landscape with Distant Relatives, 2002).

Goebbels co-founded the avant-garde rock group Cassiber (1982--1992) with Harth, Chris Cutler and Christoph Anders. They toured extensively across Europe, Asia and North America, and made five albums.

Much of his better known work, however, originated from his close collaboration with the East German writer Heiner Müller, resulting in stage compositions as well as shorter pieces (concerts as well as audio plays) loosely based on Müller texts, such as Verkommenes Ufer (Waste Shore, 1984), Die Befreiung des Prometheus (The Liberation of Prometheus, 1985), or Wolokolamsker Chaussee (Volokolamsk Highway, 1989). Goebbels' attempts to fill the space between theatre and opera left blank due to traditional genre borderline drawing has led to projects such as Schwarz auf Weiss (Black on White, 1996) or Die Wiederholung (The Repetition, 1997). The political nature of his work is often referred to by critics. His interest in Heiner Müller can partly be explained by the political character of Müller's texts, as may be the case with his interest in Bertolt Brecht and Hanns Eisler, works by the latter he used in composing his staged concert Eislermaterial (1998).

Goebbels' work is being increasingly acknowledged as he is being played and staged around the world and as his recordings are being published. His Surrogate Cities, a work for big orchestra dating from 1994 and featuring texts from Paul Auster, Heiner Müller, and Hugo Hamilton, was nominated for a Grammy in the category Best Classical Contemporary Composition at the 43rd Grammy Awards in 2001. His Eislermaterial won him another Grammy nomination at the 46th Grammy Awards in 2004, this time in the category Best Small Ensemble Performance (with or without conductor). In recent years Heiner Goebbels enjoyed the privilege of several guest professorships and nominations for composer-in-residence.


Tags: ballet, composer, composing, egs, european, film, german, goebbels, graduate, heiner, jazz, music, rock, school, theatre
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minimal electro music w Ableton Live and Quartz 2
By fkmooney

Another quick sketch done in ableton live and quartz composer. I saw somone handling a rack of glasses coming out of a industrial dishwasher and the light reflecting on it reminded me of the first video. And again, sorry for the low pict quality, I don't know that much about compression.


Tags: ableton, composer, electronic, live, music, quartz
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Minimal electro with Ableton Live and Quartz
By fkmooney

A simple minimal piece with music composed in Ableton Live and visuals created in Quartz Composer.



More music at: http://kemptonmooney.com


Tags: ableton, composer, electronic, live, minimal, quartz
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Heiner Goebbels. European Graduate School Lecture. 2007. 2/9
By egsvideo

http://www.egs.edu/ Heiner Goebbels, German composer and music director talking about composing for directors, theatres, operas, theatre plays, performances; discussing his life, stories, work, professional and artistic experiences as well as the concepts of sound, noise, acoustic space, Berthold Brecht, separation of elements, change of formats, Elias Canetti, Eraritjaritjaka. Public open lecture with students of the European Graduate School EGS, Media and Communication Studies department program, Saas-Fee, Switzerland, Europe, 2007. Heiner Goebbels.

Heiner Goebbels, born August 17 1952, studied Sociology and Music in Frankfurt/Main, is a composer notable for his mixture of styles, drawing from sources as varied as classical music, jazz, and rock music. He started playing Eislerian music in a duo with saxophonist Alfred Harth and composing music for theatre, film, and ballet, and has continued to do so, although he has since then broadened his repertoire to concerts and his oeuvre has recently come to include the opera Landschaft mit entfernten Verwandten (Landscape with Distant Relatives, 2002).

Goebbels co-founded the avant-garde rock group Cassiber (1982--1992) with Harth, Chris Cutler and Christoph Anders. They toured extensively across Europe, Asia and North America, and made five albums.

Much of his better known work, however, originated from his close collaboration with the East German writer Heiner Müller, resulting in stage compositions as well as shorter pieces (concerts as well as audio plays) loosely based on Müller texts, such as Verkommenes Ufer (Waste Shore, 1984), Die Befreiung des Prometheus (The Liberation of Prometheus, 1985), or Wolokolamsker Chaussee (Volokolamsk Highway, 1989). Goebbels' attempts to fill the space between theatre and opera left blank due to traditional genre borderline drawing has led to projects such as Schwarz auf Weiss (Black on White, 1996) or Die Wiederholung (The Repetition, 1997). The political nature of his work is often referred to by critics. His interest in Heiner Müller can partly be explained by the political character of Müller's texts, as may be the case with his interest in Bertolt Brecht and Hanns Eisler, works by the latter he used in composing his staged concert Eislermaterial (1998).

Goebbels' work is being increasingly acknowledged as he is being played and staged around the world and as his recordings are being published. His Surrogate Cities, a work for big orchestra dating from 1994 and featuring texts from Paul Auster, Heiner Müller, and Hugo Hamilton, was nominated for a Grammy in the category Best Classical Contemporary Composition at the 43rd Grammy Awards in 2001. His Eislermaterial won him another Grammy nomination at the 46th Grammy Awards in 2004, this time in the category Best Small Ensemble Performance (with or without conductor). Also, Goebbels in recent years enjoyed the privilege of several guest professorships and nominations for composer-in-residence.


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