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Suzy Snowflake (1951) Stop Motion Animation (With Original Song) "Suzy Snowflake" by Rosemary Clooney! ► http://amzn.to/100XmasSongs http://XmasFLIX.com ► Like XmasFLIX! ► http://facebook.com/XmasFLIX Xmas MP3 ► http://XmasTRAX.com ► Podcast ► http://iXmas.mobi Suzy Snowflake (1951) Song and Musical Stop Motion Animation Dance. Also see ... Hardrock, Coco and Joe in "The Three Little Dwarfs": http://bit.ly/HardrockCocoJoe SUZY SNOWFLAKE (Song Lyrics): Here comes Suzy Snowflake Dressed in a snow white gown Tap, tap, tappin' at your window pane To tell you she's in town Here comes Suzy Snowflake Soon you will hear her say "Come out ev'ryone and play with me I haven't long to stay If you want to make a snowman I'll help you make one, two, three If you wanna take a sleigh ride The ride's on me." Here comes Suzy Snowflake Look at her tumblin' down Bringing joy to every girl and boy Suzy's come to town "Suzy Snowflake" is a popular Christmas song written by Sid Tepper and Roy C. Bennett, made famous by Rosemary Clooney in 1951 and released as a 78 RPM record by Columbia Records, MJV-123. This cartoon-short is the historic Chicago Kids TV Christmas video, Suzy Snowflake, based upon the song was also made in 1951 by Centaur Productions where the stop-motion animation was created by Wah Ming Chang. It was shown during the Christmas season on WGN-TV in Chicago, along with another production by Centaur, "Hardrock, Coco and Joe". Stop-motion (stop-action or frame-by-frame) is an animation technique to make a physically manipulated object appear to move on its own. The object is moved in small increments between individually photographed frames, creating the illusion of movement when the series of frames is played as a continuous sequence. Clay figures are often used in stop-motion for their ease of repositioning. Stop-motion animation using clay is described as clay animation or clay-mation. Stop-motion animation has a long history in film. Of the forms already mentioned, object animation is the oldest, then direct manipulation animation, followed (roughly) by sequential drawings on multiple pages, which quickly evolved into cel animation, with clay animation, pixilation, puppet animation, and time-lapse being developed concurrently next. The first instance of the stop-motion technique can be credited to Albert E. Smith and J. Stuart Blackton for The Humpty Dumpty Circus (1898), in which a toy circus of acrobats and animals comes to life. In 1902, the film, Fun in a Bakery Shop used clay for a stop-motion "lightning sculpting" sequence. French trick film maestro Georges Méliès used it to produce moving title-card letters for one of his short films, but never exploited the process for any of his other films. The Haunted Hotel (1907) is another stop-motion film by James Stuart Blackton, and was a resounding success when released. Segundo de Chomón (1871-1929), from Spain, released El Hotel eléctrico later that same year, and used similar techniques as the Blackton film. In 1908, A Sculptor's Welsh Rarebit Nightmare was released, as was The Sculptor's Nightmare, a film by Billy Bitzer. French animator Emil Cole impressed audiences with his object animation tour-de-force, The Automatic Moving Company in 1910. One of the earliest clay animation films was Modelling Extraordinary, which dazzled audiences in 1912. December 1916, brought the first of Willie Hopkin's 54 episodes of "Miracles in Mud" to the big screen. Also in December 1916, the first woman animator, Helena Smith Dayton, began experimenting with clay stop-motion. She would release her first film in 1917, Romeo and Juliet . In the '60s and '70s, independent clay animator Eliot Noyes Jr. refined the technique of "free-form" clay animation with his Oscar-nominated 1965 film Clay or the Origin of Species and He Man and She Bar (1972). Noyes also used stop-motion to animate sand laying on glass for his musical animated film Sandman (1975). Sand-coated puppet animation was used in the Oscar-winning 1977 film The Sand Castle, produced by Dutch-Canadian animator Co Hoedeman. SUZY SNOWFLAKE Bringing joy to ev'ry girl and boy! On December 28, 1953, Chicago area kids were introduced to the whimsical story of Suzy Snowflake "tap, tap, tappin'" on every windowpane, seen on Garfield Goose and Friends then on WBBM-TV. Like Hardrock, Coco and Joe, Suzy too was brought to life by the stop-motion animators of Centaur Productions. Norma Zimmer was Suzy's voice and the song was sung by The Norman Luboff Choir, a premier studio group who recorded with well-known artists, such as Frank Sinatra and Harry Belafonte. Copyright Disclaimer: Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. Tags: 1950s, 1951, Animation, Lyrics, Motion, Musical, Snowflake, Stop, Suzy, action, angel, animated, animations, bass, bozo, cartoon, cartoons, centaur, chicago, children, christmas, claymation, clooney, colony, comes, coughing, coughing, curious, dance, doll, fairy, flake, flying, garfield, george, girl, goose, here, man, music, paper, pixies, puppetoon, puppets, ranking, retro, rosemary, short, singing, snow, snowman, song, soul, stop-motion, susie, suzie, video, vintage, ween, winter, xmasflix 1 Downloads - Last from: (Your Blog here!) |
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Awaara Shiva (Karthi) is a young, carefree and jobless man, staying at Bangalore. He has a loyal group of friends who are determined to make him a responsible guy and therefore desperately try to get him a job somehow. One day, while getting off the bus, he sees a young beautiful girl named Charulatha (Tamannaah) who is also looking for a job, and immediately falls for her. He later gets to spot her at few occasions, trying to follow her, and even misses the interview, his friends had arranged for him, during one such day. One day, Shiva goes to the railway station as he is supposed to pick a friend and owner of the car, Shiva and his friends use. While waiting for the friend to arrive, Charulatha, apparently in a very tensed mood, and her uncle, mistaking Shiva to be a cab driver, ask him to drop them at Chennai. Excited to give his dream girl a ride, he accepts and escorts them. They stop at a filling station to refuel the car, when Charulatha suddenly requests Shiva to drive on, losing and leaving her uncle behind. Shiva does as she wishes and takes off without her uncle. She first asks Shiva to drop her at the airport and later at a railway station, but as she misses her flight and is also not able to go by train, she requests Shiva whether he would take her to Mumbai by car. Shiva, immensely thrilled by this request, instantly agrees and escorts her to Mumbai. During the journey she finally reveals her story, after Shiva had asked several times to tell about her problems and the reason for the journey to Mumbai. It comes to light that Charulatha's mother, always supporting her daughter, died after a violent altercation with her father, who since tried to subject Charulatha and make her marry an unknown man he had chosen for her. Not willing to bow his father's wishes, she had escaped from home, but was later found by her father's business partner, Jayaraman, the supposed uncle of her. He was about to take her to the marriage registration arranged by her father, hence Charulatha was trying to escape and insisted on leaving him behind at the filling station. She heads to Mumbai as she wants to stay at her grandmother's home. However, she is followed by a gang, led by a furious Telugu-speaking Amma, whom she and Shiva just about manage to escape. Shiva then decides to change the route in order to avoid the gang, but encounters another gang. He realizes that this gang, however, is not following Charulatha, but himself, as they are the henchmen of a Mumbai-based gangster Baali (Milind Soman). He recalls an incident that happened some years ago in Mumbai, when he stayed there at his friend 's house. He had beaten one of Baali's men, who had attacked him, and later Baali himself, without knowing about him and his reputation in the city, and returned to Bangalore. Both the gangs are now following the couple to achieve their targets. Whether they both can escape both gangs and whether Shiva was able to express his love to Charulatha forms the crux. In the end, Shiva manages to save Charulatha from the clutches of Baali and his friends express his feelings to Charulatha who happily accepts Shiva's love for she too had fallen for him during the journey. Tags: 7g, Awaara, Deal, Kaarthi, Lingu, Raja, Shankar, Swamy, Thamanna, Yuvan, aadavari, aawara, akrosham, ananda, arthale, awara, bhai, brindhavana, chilipi, colony, deva, dhoolpeta, gayam, happy, happydays, ishtam, kalasala, kalidasu, kalisunte, kashtam, konchem, maatv, matalaku, nedu, ninna, okkadu, oy, paruthi, rahu, repu, sarvam, seshu, sree, striker, telugu, thandavam, tollywood, vallabha, veedokkade, veeran, verule, vyapari, yuganiki 1 Downloads - Last from: (Your Blog here!) |
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