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Barcelona HD Live Madrid Music Pop Real Remix Rock Sony The boobs dance film live music pop rock sex sexy teaser trailer video الاتحاد السعودي النصر الهلال اهداف 2010 2012

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El teatro de marionetas wayang

UNESCO: Lista representativa del Patrimonio Cultural Inmaterial de la Humanidad -- 2008 URL: http://www.unesco.org/culture/ich/RL/00039 Descripción: Esta forma antigua de narración, famosa por sus marionetas minuciosamente elaboradas y por lo complejo de sus estilos musicales, surgió en la isla indonesia de Java. Durante diez siglos, el wayang se desarrolló tanto en las cortes reales de Java y Balí como en los medios rurales. Hoy, no sólo se practica en esas islas, sino también en Lombok, Madura, Sumatra y Borneo, donde se han desarrollado distintos estilos locales de interpretación y de acompañamiento musical. Si esas marionetas fabricadas artesanalmente con esmero son de diversas tallas, formas y estilos, dominan dos grandes tipos: la marioneta de madera de tres dimensiones (wayang kitik o golèk), y la marioneta del teatro de sombras, lisa y de cuero (wayang kulit), cuya silueta es proyectada en sombra chinesca en una pantalla. Ambos tipos se distinguen por sus trajes, los rasgos de la cara y los cuerpos articulados. El dalang (maestro marionetista) manipula cuidadosamente los brazos mediante unas varillas muy finas fijadas en las marionetas. Para reforzar el efecto dramático, los cantantes y los músicos interpretan melodías complejas acompañándose de instrumentos de bronce y de gamelan (tambores). En otra época, los marionetistas eran considerados como personas cultas y expertas en transmitir con su arte valores morales y estéticos. Las palabras y las acciones de los personajes cómicos, que representaban al hombre llano, constituían artificios eficaces para criticar los problemas sociales y políticos, y es de creer que esta función especial contribuyó a su supervivencia a lo largo de los siglos. Los personajes de los mitos del wayang proceden de los mitos locales, a los cuentos persas o de las antiguas epopeyas indias. El repertorio y las técnicas de interpretación se transmitían oralmente dentro de las familias de los marionetistas, músicos y artesanos que las fabricaban. Los dalang han de ser capaces de aprender de memoria un amplio acervo de historias, declamar fragmentos de relatos antiguos y cantar canciones poéticas, todo ello de manera ingeniosa y creativa. El teatro de marionetas wayang sigue gozando del interés del público. Pero para hacer frente a la competencia de formas contemporáneas de diversión como el vídeo, la televisión o el karaoke, tienden a exagerar las escenas cómicas en detrimento del argumento de la historia y a reemplazar el acompañamiento musical tradicional por música pop, contribuyendo así a alterar ciertas características de la tradición. Paises: Indonesia


Tags: 00039, 2003;, Convención, Cultural, Indonesia;, Inmaterial;, Patrimonio, UNESCO, de
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Comparsa "La serenisima" FINAL completo. Carnaval Cadiz 2012

Segundo premio. Comparsa de Juan Carlos Aragón con la mayor parte del repertorio en un polémico italiano españolizado


Tags: 2012, Agrupaciones, Andalucía, Artista, COAC, Canal Sur, Carnaval, Carnival, Competición, Competition, Compás, Concurso, Coplas, Cultural, Culture, Cádiz, España, Falla, Festival, Fiesta, Folclore, Folk, Folklore, Gades, Gaditano, Humour, Live music, Music, Música, Parodia, Performance, Poesía, Poetas, Popular, RTVA, Ritmo, Show, Spain, Tacita de plata, Teatro, Theatre show, Tourism, Tradición, Turismo
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Diversidad, Cultura y Desarrollo

El desarrollo ha sido uno de los temas más importantes en la sociedad, los diferentes modelos económicos y sociales que se han implementado en las culturas del mundo, han creado un panorama de homogenización y en muchas ocasiones de desarraigo y cambios culturales. Producción: LEONARDO CORDERO ©. Todos Los derechos Reservados. http://leonardocordero.ucoz.com/


Tags: Civil, Cultura, Cultural, Culture, Documentary, Educational, Instituto, Universidad, Universidad de Colombia, pamplona colombia
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Bolivia Pacha - Tinkus de Bolivia Tinkus Layqas

Simplemente Espectacular... Autoria de Adolfo Espinoza, revalorizando el ritmo del tinku puramente boliviano, mostrando un estilo muy original. Videoclip filmado en Inkarakay - Sipe sipe - Cochabamba - Bolivia, con la participacion del Ayllu Cultural Tinkus Layqas con su nuevo traje (como siempre imponiendo moda). Video realizado por Fotograma Produciones Ojo no tenemos ninguna filial en Peru, no te dejes engañar. Son gente que plagia nuestro nombre. Simply spectacular... Adolfo Espinoza's authorship, revaluing the pace of the purely Bolivian tinku, showing a very original style. Filmed in Inkarakay - Sipe sipe - Cochabamba - Bolivia, with the participation of the Ayllu Cultural Tinkus Layqas with his your new suit as always imposing mode. Video realized by Fotograma Productions


Tags: 2009, 2010, 2011, 2012, 2013, Ayllu, Bolivia, Bolivian, Cultural, Layqas, Pacha, Tinkus, andes, andina, charango, cochabamba, de, exito, folklore, group, la, laicas, laikas, laiqas, laycas, laykas, mejor, music, musica, norte, oruro, pais, paz, potosi, sudamerica, toro, urkupiña
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Chirigota "Los hinchapelotas". Completo. Carnaval Cádiz 2012 Cuartos de final

La chirigota que dirige Vera Luque sale con bufandas amarillas, letras cañeras contra la carga policial a los indignados del colegio Valcárcel, cameo de Agustin Bravo en los cuplés, un popurrí plagado de buenos golpes y un final al son de "somos los hinchapelotas" que nos carga las pilas


Tags: 2012, Agrupaciones, Andalucía, Artista, COAC, Carnaval, Carnival, Competición, Competition, Compás, Concurso, Coplas, Cultural, Culture, Cádiz, España, Falla, Festival, Fiesta, Folclore, Folk, Folklore, Gades, Gaditano, Humour, Live music, Music, Música, Parodia, Performance, Poesía, Poetas, Popular, Ritmo, Show, Spain, Tacita de plata, Teatro, Theatre show, Tourism, Tradición, Turismo
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Pommersche Krakowiak - Windmühle

Dança popular na Cracóvia, Polônia, foi logo assimilada pelos núcleos de pomeranos que residiam naquela região. Criada por volta de 1500, é caracterizada pela destreza dos dançarinos, principalmente na execução das figuras. Esta apresentação é do Grupo Folclórico Windmühle Juvenil, no IV Windmühleball, baile de aniversário de 20 anos de fundação do grupo.


Tags: Alemanha, Cultural, Folclórico, Grupo, Juvenil, Lírica, Sociedade, Windmühle, dança, folclore
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Racismo Infantil: los protocolos de Caín implantados en los niños

Un experimento hecho en México en el marco de una campaña contra el racismo demostró que este problema aparece desde la niñez y se transmite por el entorno social. En un video difundido hoy se aprecia a varios niños encuestados, a los que se les muestra dos muñecos de bebé: uno blanco y otro negro. Consultados sobre cuál es feo o malo, la mayoría de niños se inclina a señalar al muñeco moreno. La investigación, que forma parte de la campaña 'Racismo en México', replica un estudio hecho en EEUU en los años treinta. El video fue elaborado por el Consejo Nacional para Prevenir la Discriminación (Conapred) en un espacio de confianza en donde los niños contestaron con total libertad. Ver la NOTICIA ampliada en: http://davidnesher.blogspot.com/2012/02/los-protocolos-de-cain-en-la-mente-de.html


Tags: Cultural, Mexico, Taller, caín, investigacion, méxico, niños, psicología, racismo, razas, reflexión
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Cocóricó Tu tu tu Tupi Guarani

Esse trabalho apresentado pela TV cultura através do programa infantil Cocoricó é fantástico, nele é possível perceber o quando a cultura indígena contribui para a construção da cultura brasileira e em especial na diversificação do estado de São Paulo, nós aqui que possuímos nomes de algumas ruas, bairros e cidades com nomes indígenas que possuem significações maravilhosas. Algumas Palavras da Língua Tupi: Tatuapé: Caminho dos Tatus Butantã: Terra Dura Itaú: Pedra Preta Ipiranga: Rio Vermelho Tucuruvi: Gafanhoto Verde / Azul Guarapiranga: Garça Vermelha Jacareí: Rio dos Jacarés Curitiba: Muito Pinhão / Lugar de Pinheiral Araçatuba: Muito Araçá / Lugar de Araçá Piracicaba: Lugar onde o Peixe Para / Onde Junta Peixe Piratininga: Peixe Seco Iguaçu: Rio Grande Imirim: Rio Pequeno Itaguaçu: Pedra Grande Ibirapuera: Pau Podre / Mata em Extinção


Tags: Araçatuba:, Araçá, Azul, Butantã:, Caminho, Cocóricó, Cultura, Cultural, Curitiba:, Diversidade, Dura, Extinção, Gafanhoto, Garça, Grande, Guarani, Guarapiranga:, Ibirapuera:, Iguaçu:, Imirim:, Indigena, Ipiranga:, Itaguaçu:, Itaú:, Jacareí:, Jacarés, Junta, Lugar, Mata, Muito, Para, Pau, Paulo, Pedra, Peixe, Pequeno, Pinheiral, Pinhão, Piracicaba:, Piratininga:, Podre, Preta, Rio, Seco, São, Tatuapé:, Tatus, Terra, Tu, Tucuruvi:, Tupi, Tv, Verde, Vermelha, Vermelho, de, dos, em, onde
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PLACE cemetery BILBAO Cementerio municipal

PLACE Cementerio municipal de BILBAO. En el País Vasco - Euskadi. Cemetery Bilbao "Basque Country (autonomous Community)" Biscay.


Tags: Bilbao, Bilbo, Biscay, Cultural, Documental, Euskadi, País Vasco, Place, Vizcaya, arte, arte funerario, cementerio, cemetery, cultura, escultura, muerte, muertos, panteones, tumbas
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Swaziland Dancers Mountain Inn Hotel

Excellent Hotel in Capitol City Swaziland with Swazi Dance group Ligugu Lemaswati named by his Majesty King Mswati III meaning "The Pride of the Swazi People. (Surround sound) For more HDV (stock) footage: www.Global-DVC.Org


Tags: Africa, Conference, Cultural, Dance, Dancers, Hotel, Inn, King, LemaSwati, Ligugu, Mountain, Mswati, Rooms, Swazi, Swaziland, Village, adventure, culture, iswati, manzini, mbabane, tradition, travel, xhosa, zulu
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The Bistritsa Babi Archaic Polyphony, Dances and Rituals from the Shoplouk Region

UNESCO: Representative List of the Intangible Cultural Heritage of Humanity - 2008 URL: http://www.unesco.org/culture/ich/RL/00015 Description: The traditional dances and polyphonic singing found in the Shoplouk region of Bulgaria are still performed by a group of elderly women, the Bistritsa Babi. This tradition includes diaphony, or what is known as shoppe polyphony, ancient forms of the horo chain dance and the ritual practice of lazarouvane, an initiation ceremony for young women. Diaphony is a specific type of polyphonic singing in which one or two voices build the melody consisting of izvikva meaning to shout out and bouchi krivo meaning crooked rumbled roars, while other singers hold a monotone drone that is doubled or trebled to produce a more sonorous sound that accompanies the lead singers.The dancers, dressed in traditional costumes, hold each other by the waist or belt and dance in a circle, stepping lightly and moving counter-clockwise. A number of variations are performed within this structure, depending on the song and ancient ritual purposes. Although the social function of the polyphonic singing has changed over the twentieth century, as it is now primarily performed on stage, the Bistritsa Babi are regarded as an important component of the regions cultural life, promoting traditional expressions among the younger generations. The women are among the few remaining representatives of traditional polyphony and the village of Bistritsa is one of the last areas in Bulgaria in which this cultural expression has been maintained over the centuries. Due to its location near the capital Sofia, which offers a range of cultural attractions, young peoples interest in communitybased traditions is declining. Over the years, the rich repertoire of songs and dances has been reduced to include only the most popular highlights to be performed on stage. Country(ies): Bulgaria


Tags: 00015, 2003, Bulgaria;, Convention;, Cultural, Heritage;, Intangible, UNESCO
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The Mevlevi Sema Ceremony

UNESCO: Representative List of the Intangible Cultural Heritage of Humanity - 2008 URL: http://www.unesco.org/culture/ich/RL/00081 Description: The Mevleviye is an ascetic Sufi order founded in 1273 in Konya, from where it gradually spread throughout the Ottoman Empire. Today, the Mevleviye can be found in many Turkish communities throughout the world, but the most active and famous centres of the orders activity are in Konya and Istanbul. The Mevleviye are renowned for their whirling dances. Following a recommended fast of several hours, the whirlers begin to rotate on their left feet in short twists, using the right foot to drive their bodies around the left foot. The body of the whirler is meant to be supple, with eyes open but unfocused so that images become blurred and flowing. At their dancing ceremonies, or Sema, a particular musical repertoire called ay›n is played. Based on four sections of both vocal and instrumental compositions, it is performed by at least one singer, a flute-player, called neyzen, a kettledrummer and a cymbal player. Dancers used to receive 1,001 days of reclusive training within the mevlevi-houses (mevlevihane), where they learned about ethics, codes of behaviour and beliefs by practising prayer, religious music, poetry and dance. After this training, they remained members of the order but returned to their work and families. As a result of secularization policies, all mevlevihane were closed in 1925.The Turkish government began to allow performances again, though only in public, in the 1950s, restrictions were eased in the 1990s. Some private groups are re-establishing the original spiritual and intimate character of the Sema ceremony. However, over the thirty years the tradition was practised clandestinely, transmission focused rather on music and songs than on spiritual and religious traditions, which has deprived performances of part of their religious significance. Consequently, many sema ceremonies are no longer performed in their traditional context but for tourist audiences, and have been shortened and simplified to meet commercial requirements. Country(ies): Turkey


Tags: 00081, 2003, Convention;, Cultural, Heritage;, Intangible, NHK, Patrimoine mondial, Turkey;, UNESCO, World Heritage
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Il teatro degli orrori - A sangue freddo

Primo video tratto da "A sangue freddo" (LTD-031/2009), il secondo album de Il teatro degli orrori. La regia è di Jacopo Rondinelli. A SANGUE FREDDO (P. Capovilla, G. Ragno Favero, G. Mirai, F. Valente) Non ti ricordi di Ken Saro Wiwa? Il poeta nigeriano, un eroe dei nostri tempi. Non ti ricordi di Ken Saro Wiwa? Perché troppo ha amato l'hanno ammazzato davanti a tutti. Bugiardi dentro, fuori assassini, vigliacchi in divisa. Generazioni intere ingannate per sempre a sangue freddo. Ken Saro Wiwa è morto, evviva Ken Saro Wiwa. Non è il tetto che perde, non sono le zanzare, non è il cibo meschino. Non basterebbe a un cane. Non è il nulla del giorno che piano sprofonda nel vuoto della notte, sono le menzogne che ti rodono l'anima. In agguato, come sempre, la paura di morire. Io non mi arrendo, mi avrete soltanto con un colpo alle spalle. Io non dimentico e non mi arrendo. Io non mi arrendo, è nell'oblio che un uomo, è nell'indifferenza che un uomo, un uomo vero, muore davvero. Quanto è grande il cuore di ken Saro Wiwa? Forse l'Africa intera, il nulla del giorno sprofonda piano nel vuoto della notte. Avete ucciso Wiwa, ladri in limousine, che Dio vi maledica. Pagherete tutto, pagherete caro. http://it.wikipedia.org/wiki/Ken_Saro-Wiwa www.latempesta.org www.ilteatrodegliorrori.com www.virusconcerti.it www.lunatik.it


Tags: Album, Cultural, Culture, Music, Pace, Popular, Song, Songs, Teatro (album), Video Clip, capovilla, degli, favero, freddo, il, ken, la, lunatik, mirai, orrori, ragno, sangue, saro, teatro, tempesta, valente, virus, wiwa
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