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Flux Pavilion - Lines In Wax (feat. Foreign Beggars) (Full Version) [HD]

Become a fan of TrulyDubstep at http://www.facebook.com/trulydubstep Highest quality of Flux's Lines In Wax (Feat. Foreign Beggars) from Lines In Wax EP. This is the full version song, not a preview. Make sure to listen in 1080p. BUY NOW: http://itunes.apple.com/gb/album/lines-in-wax/id391596740?i=391596752&ign-mpt=uo%3D4 Become a fan of Flux Pavilion on Facebook: http://www.facebook.com/fluxpavilion Flux Pavilion's MySpace: http://www.myspace.com/fluxpavilion Circus Records on Facebook: http://www.facebook.com/circusrecords Become a fan of TrulyDubstep: http://www.facebook.com/TrulyDubstep


Tags: .mp3, Bassline, Beggars, Dirty, Download, Drop, Dub, Dubstep, EP, Eargasm, Feat, Feel, Filthiest, Filthy, Flux, Foreign, Free, Full, Good, HD, HQ, In, Line, Lines, Modestep, Nero, Pavilion, Pavillion, QuantumDNB, Skrillex, Song, Step, TrulyDubstep, UKFDubstep, Version, Wax, bass, dark, heavy, mp3, new
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Skrillex - Scary Monsters And Nice Sprites (Live Cover by Pinn Panelle)

VOTE! WARPED TOUR: http://warped.battleofthebands.com/u/pinnpanelle Follow us here: http://www.facebook.com/pinnpanelle http://www.twitter.com/pinnpanelle http://www.pinnpanelle.com Buy album here: http://music.pinnpanelle.com http://pinnpanelle.spinshop.com Pinn Panelle is: Derek Song (Glenview, IL) - Guitar, Vocals, Justin Conway (West Chester, PA) - Drums, Samples Jonah Wei-Haas (Tulsa, OK) - Synths, Piano, Samples Nathan Navarro (Murrieta, CA) - Bass A non-profit performance from the original American Alternative/Rocktronica band, Pinn Panelle, demonstrating how to replicate an electronic artist's music on live instruments. This is "Scary Monsters and Nice Sprites" by Skrillex, his YouTube channel is: http://www.youtube.com/user/TheOfficialSkrillex There are no sequences, or backing tracks playing behind the band. Filmed by Chris Dingman and Nate Barsanti Recorded by Nate Barsanti Mixed by Derek Song Free Download Link: http://www.mediafire.com/?labl9uq6fg80bzc


Tags: Aquarian, Audio, Band, Bass, Bassline, Bluetooth, Boss, Chris, Controller, Conway, Cover, Derek, Dingman, Drums, Dubstep, Filthy, Gooseneck, Guitar, Hand, Heil, Hot, Hughes, Jonah, Justin, Kettner, Kontakt, Live, M-Audio, Monsters, Motion, Nathan, Navarro, Nice, Nord, Octapad, Panelle, Patch, Pinn, Plays, Sabian, Scary, Skrillex, Song, Source, Spectre, Sprites, Synth, Triggers, Washburn, Wei-Haas, Wobble, Zildjian, ddrum, electronic
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"La Candelosa": Una de las mejores líneas de bajo latino (tropical) en existencia.

Hola. Este es mi primer video con anotaciones en español. No había hecho esto antes pues como se darán cuenta por mis videos anteriores, soy rockero de corazón y es a esa música a la que he dedicado la mayor parte de mis esfuerzos. Pero en esta ocasión he querido hacer algo que tenía guardado prácticamente desde que empecé en la música (1986) y no había madurado. Ante todo deseo aclarar que no soy seguidor ni mucho menos amante del Vallenato (con todo respeto) y que no es mi intención incursionar en el género. Los bajistas de Vallenato dedicados se darán perfecta cuenta de que mi técnica de pulsación no es la de un "Vallenatólogo" convencido. Pero en todo caso, siempre he sostenido que El Binomio De Oro con Rafael Orozco como cantante ha sido la mejor agrupación vallenata de la historia ( quienes no conocen sobre Vallenato pueden documentarse en http://es.wikipedia.org/wiki/Vallenato ). Sin ser furibundo seguidor debo decir que me gusta mucho la casi totalidad de su producción, y el grupo en vivo era una bomba. "La Candelosa" representa para mí uno de los puntos más altos en su carrera y era este su último éxito cuando empecé a rascar las cuerdas del bajo. Logré una versión bastante atropellada de la línea en aquel entonces pero siempre quise estudiarla a fondo, cosa que recientemente he hecho y he querido plasmar el resultado de mi esfuerzo en este video. La estudié tan a fondo que me percaté de la presencia de dos bajos en cortas secciones (por eso las divisiones en dos de la pantalla), cosa en la que antes no había reparado (los señores del Binomio sí que sabian sacarle provecho al estudio de grabación. "El Parrandón" es otro ejemplo del uso de dos bajos en algunas partes). Puedo decir que toqué prácticamente el 100% de las notas que están en la grabación original, independientemente de lo bien o mal que lo haya hecho. La única modificación intencional que hice fue agregar algunas notas muertas a la introducción, pues me parece que suena mucho más "funkera" de esa forma. Tremenda línea de bajo esta. Una escuela para cualquier bajista. Y quiero agregar para los conocedores que, si bien admiro y respeto profundamente al señor José Vásquez (ni más faltaba. Tremendo maestro del bajo), siempre me pareció ligeramente superior el estilo del desaparecido Rangel "El Maño" Torres, quien hizo esta grabación. Espero que mi versión no sea considerada una ofensa a su memoria. :) (English) Hi again. First off, here's the translation of the text at the beginning of the video: "La Candelosa" (That's hard to translate. It refers to a woman who's so hot that burns). "Musical piece written by Israel Romero and recorded by El Binomio De Oro in 1986. Bass cover by Alvabass, just to show an (improvable) demonstration of an extraordinary bassline recorded by Rangel Torres (R.I.P.). Audiovisual material created with no profit intention and without claiming any kind of intellectual property". OK. As I promised you in my message video ( http://www.youtube.com/watch?v=mKEnWsS7gCw&fmt=22 ), this is an example of a Colombian music genre called Vallenato. Originated in the Caribbean coast area, it's basically music for party created with the accordion as the most prominent instrument. A percussion instrument called caja vallenata ( http://en.wikipedia.org/wiki/Caja_vallenata ) is used exclusively in this kind of music. Further reading about Vallenato can be found at http://en.wikipedia.org/wiki/Vallenato The basslines are anything but pedestrian. Melodies and chords while supporting the rhythm section at the same time make this style a very challenging one for any bass player. Dedicated Vallenato players use their thumb along with index, middle and sometimes ring finger for plucking the strings (that's why I'm not a dedicated Vallenato player: I use I-M strictly, and only use my thumb for some chords). "La Candelosa" is an example of an uptempo Vallenato tune, but there are slow-paced ones as well. For those ones, an electric guitar is added for accompaniment, duets with accordion and (less common) solo parts. You'll hardly hear an electric guitar on songs like "La Candelosa". Also, there are two basses in some sections of this song (shown on split-screen). In my opinion (as I say in the video title), this is one of the best (if not THE best) Latin (tropical) basslines ever created. The bass part for this song, as lots others from "El Binomio De Oro" during most of its existence with the original singer, Rafael Orozco (who was killed in 1992), was recorded with a Kramer Stagemaster Imperial bass ( http://www.vintagekramer.com/alum.htm ) which featured an aluminum neck. You can see it in live action, along with the late Rangel Torres at http://www.youtube.com/watch?v=ctawlifEYbU&fmt=18 (Rangel Torres died on a plane crash in 1994) http://www.goear.com/listen/4694959/La-Candelosa-El-Binomio-De-Oro (There's the song without my playing. Ran out of space!)


Tags: Aluminum, Alvabass, Bajo, Bass, Bassline, Binomio, Bongo, Candelosa, Imperial, Israel, Kramer, Maño, MusicMan, Neck, Oro, Orozco, Rafael, Rangel, Romero, Stagemaster, Torres, Vallenato
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Mr Skeleton - The Loudest Bang




Tags: Bang, Bass, Bassline, Brutal, Crushing, Drop, Dubstep, Filthy, Loudest, Mr, Skeleton, The, history, in
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